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Products

Power amplifiers
M1.2 Reference
     
description  specs
M2.2
    
description  specs
ML2.2
    
1 description 1 specs
ML3 Signature
    
1 description 1 specs
Preamplifiers
LL2.1 (regular/deluxe)
     description  specs

LL1.1 Signature

    
description  specs

L2.1
Reference
    
description  specs
LP1 Signature
    
1 description 1 specs
LP2.1 (regular/deluxe)
                phono preamp
     1 description 1 specs

 

1 Coming up 1 New information 1 Updated information 1

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1 ML2.2 review by Peter Breuninger.
1TheAudioBeat.com -- LP2.1 review by Marc Mickelson.

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December 2017

11Venetian suite 35-307

11 L2.1 Reference preamplifier -- Product of the Year finalist in the "2017 Amplification Component" section of STEREOPHILE magazine (December 2017, p. 48).

11 L2.1 Reference preamplifier -- Preamplifier of the Year, TAS magazine (January 2018, p. 54).

11 TAS (U.S.) -- L2.1 Reference review by Dick Olsher.

 

September 2017

1 The following products appear in STEREOPHILE'S Recommended Components lists (October 2017):

Lamm Industries L2.1 Reference: $22,790
The greatest accomplishments of Vladimir Lamm's electronics are like those of the art restorer who removes grime and soot without diminishing the vibrant colors underneath—so believes AD, who said of Lamm's latest line stage, the two-box L2.1 Reference, "[it] reproduced the sounds of bowed and plucked strings alike with color, texture, and humanness." The Lamm does so with an unorthodox combination of technologies: high-voltage MOSFETs in the all–single-ended gain stages, and tubes throughout its power supply—for rectification, regulation, and the amplification of voltage references. The L2.1 Reference, which differs from its predecessor in its use of new current-source transistors and other recently available components, offers switchable signal-phase inversion and easily adjusted channel balance—the latter thanks to its dual-mono volume potentiometers—and further delighted AD by eschewing remote control. His verdict: "the rare product that swept the question of tubes vs solid-state into insignificance." Writing from his test bench, JA noted the Lamm's "extraordinarily low" distortion and observed that, "like the other preamplifiers designed by Vladimir Lamm that have passed through my test lab, the L2.1 Reference is well engineered." (Vol.40 No.7)

https://www.stereophile.com/content/recommended-components-fall-2017-edition-preamplifiers

 

August 2017

1 Positive-feedback.com -- LL1.1 Signatutre review by Marshall Nack.

July 2017

1 Stereophile (U.S.) -- L2.1 Reference review by Art Dudley.

April 2017

1 1picture gallery CES'2017

1 AVShowroom's Gold Show Award -- CES'2017.

 

March 2017

1 Positive-feedback.com -- L2.1 Reference review by Marshall Nack.

1 The following products appear in STEREOPHILE'S Recommended Components lists (April 2017):

 

January 2017

1The Absolute Sound gives the 2017 Editor's Choice Award to these products:

ML2.2 single-ended amplifier
ML3 Signature amplifier

M1.2 Reference amplifier
LP2.1 phono preamplifier
LL2.1 line-level preamplifier

 

December 2016

1 Positive-feedback.com -- LP1 Signature review by Marshall Nack.

1Please visit us at the Venetian Tower Hotel in Las Vegas.

suite 35-305
suite 35-307

November 2016

11- we are happy to announce that a modification of our long-running L2 Reference preamp -- the L2.1 Reference -- is now commercially available. Click the links for description and specs.

October, 2016

1 The following products appear in STEREOPHILE'S Recommended Components lists (October 2016):

April, 2016

1 The following products appear in STEREOPHILE'S Recommended Components lists (April 2016):

 

February 2016

1 CES'2016 picture gallery and show report

1 The Absolute Sound's "Illustrated History of High-End Audio" Vol. II includes a write-up on Vladimir Lamm and Lamm Industries, Inc. (excerpt)


October, 2015

1 The following products appear in THE ABSOLUTE SOUND'S Buyer's Guide
           (November 2015, issue 257):

  • ML2.2 amplifier
  • These 18W single-ended triode monoblocks are so magical (with a load-appropriate loudspeaker) that they made me question the paradigm of high-powered solid-state amplification. The directness of expression, the palpability of images, and the purity of timbres are simply sensational through the ML2.2. These amplifiers make it sound as though the musicians are speaking through time and space directly to you. It's an uncanny quality that must be experienced to be appreciated. The ML2.2s achieve this level of sonics not through a euphonic or tubey sound, but by conveying the virtues of SET amplification with SET colorations. With the right loudspeaker (a big caveat) the ML2.2s don't sound like tubes, SET, solid-state, or any other technology. Rather, they sound like music

  • ML3 Signature amplifier

    This four-chassis, 32Wpc, $140k SET may strike some of you as the Poster Child for Audiophile Excess, but theLamm ML3 Signature amplifier takes the definition of the absolute sound and turns it on its head. For 30 years, the illusion of live unamplified instruments in space has been what we've been aiming for. Now with this Lamm attack on the state of the art we can (almost) throw away the word "illusion". The Lamm ML3 Signature approaches what we all seek in the reproduction of music -- the actual sound of live instruments in space -- by reducing or eliminating two of the major sonic colorations that reviewers harp on: electronic haze and midbass overhang. The cost of entry is unquestionably high, but the performance is even higher.

  • LL2.1 preamplifier

    A direct replacement for the LL2, LAMM's long-standing, entry-level, tube linestage preamp is an all-tube design, featuring both tube rectification (6X4) and amplification. Harmonic colors are vivid and saturated to a level approaching the real thing with admirable fidelity. The LL2.1's primary concession is in the area of soundstage transparency. It also requires tube-rolling to achieve optimal performance at the frequency extremes. The LL2.1 is extremely easy to live with and integrate into an existing system. According to DO, when outfitted with the right tube complement, it captures 80% of cost-no-object performance for a fraction of the price.

  • LL1.1 preamplifier

    This four-chassis, dual-mono preamplifier is that rare breed that strikes a near-perfect balance between transient attack and instrumental body, and does so from top to bottom in both frequency response and amplitude. Its ability to deliver speed plus sustain at all dynamic levels is extraordinary. The result is near-perfect timbre and, if the rest of your system is up to it, nearly ideal imaging.

  • LP2.1 phono preamplifier

    A significant upgrade of the LP2, which was Lamm's entry-level phonostage for many years. In addition to a parts refresh, the tube complement has been changed to the Russian 6C3P and 6C45P-E triodes. Both moving-magnet and moving-coil inputs are accommodated. The emphasis is entirely on signal purity. An exceedingly low noise floor is a major plus, allowing the music to swell up from a velvety black background with no perceptible hash or grain. The presentation is detailed but not overly so. The vibrancy and urgency of human voice are reproduced exceedingly well. Tonal colors are beautifully rendered but without excessive tube warmth. The tonal balance is very much on the neutral side of reality. In sum, the LP2.1 is a perfect marriage of traditional solid-state strengths such as bass power and low-noise with the glorious harmonic textures and the dynamic convictiton of tubes.

 

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1 Reviews (09/15/17)
1 Awards (09/15/17)
1 Products (12/31/16)
1 Dealers (10/05/16)
1 Comments (12/17/15)
1 Owner's page (08/26/14)
1 Shows (06/01/14)
1 Interviews (10/20/13)

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